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Tchaikovsky - Hamlet (Geoffrey Simon) [Eac Ape Cue] [TNTvillage]

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Tchaikovsky - Hamlet (Geoffrey Simon) [Eac Ape Cue] [TNTvillage]

HAMLET

OVERTURE AND INCIDENTAL MUSIC

FESTIVAL OVERTURE

Peter Il'yich Tchaikovsky










Recorded in: All Saints Church, Tooting, London January 1981
Producer: Brian Couzens
Sound Engineer: Ralph Couzens - Bill Todd (Assistant)
Format: Digital CD 16Bit 44.1Khz
Originally recorded
in: 24 Bit Remaster
Number of Discs: 1
Format: Synphony
Label: Chandos - Classics





 	 	 		
1.	Festival Overture on the Danish National Hymn, Op. 15	13:10
 	 	 		
Hamlet, Op. 67bis	49:16
 	 	 	Overture and incidental music	

2.		Overture	10:03
 	 	 		
 	 	
	ACT I	
3.		Scene 1: Mélodrame	1:34
 	 	 	Moderato assai	
 	 	 	First appearance of Ghost	

4.		Scene 4: Fanfare	0:22
 	 	 	Allegro vivo	
 	 	 	'A Flourish of Trumpets'	

5.		Scene 4:
Mélodrame	0:41
 	 	 	Moderato assai	
 	 	 	Appearance of Ghost to Hamlet	

6.		Scene 5:
Mélodrame	3:07
 	 	 	Allegro giusto ed agitato	
 	 	 	The Ghost tells Hamlet of his father's death	
 	
	 		
 	 	 	ACT II	
7.		Entr'acte	3:02
 	 	 	Allegro semplice	
 	 	 	Prelude to Scene 1 and first
appearance in the play of Ophelia	

8.		Scene 2: Fanfare	0:21
 	 	 	'A Room in the Castle' -
'Flourish'	
 	 	 	First appearance of King, Queen, Rosencrantz, Guildenstern and Attendants	
 	 	 		
 	 	
	ACT III	
9.		Entr'acte	3:16
 	 	 	Andante quasi allegretto	
 	 	 	Prelude to Scene 1 which features
Hamlet's soliloquy	
 	 	 	'To be or not to be'	

10.		Scene 2: Fanfare	0:10
 	 	 	'A Flourish' -
Enter King, Queen, Polonius, Ophelia, Rosencrantz, Guildenstern and others	

11.		Scene 2: Fanfare	0:15

	 	 	'The Dumb Show enters'	

12.		Scene 2: Mélodrame	2:04
 	 	 	Allegro giusto ed agitato	
 	 	
	The Players enact the Scene of the Poisoning	
 	 	 		
 	 	 	ACT IV	
13.		Entr'acte	7:12
 	 	
	Andante non troppo ('Elegy for Strings')	
 	 	 	Prelude to Scene 1 - 'A Room in the Castle'	

14.		Scene
5: Scène d'Ophélie*	2:24
 	 	 	Andantino	
 	 	 	'Elsinore' - Ophelia's 'Mad Scene'	

15.		Scene 5: Deuxième scène d'Ophélie*	2:07
 	 	 	Moderato	
 	 	 	'Re-enter Ophelia, fantastically
dressed with straws and flowers'	
 	 	 		
 	 	 	ACT V	
16.		Entr'acte	5:27
 	 	 	Marcia. Moderato
assai	
 	 	 	Prelude to Scene 1 - 'A Churchyard'	

17.		Scene 1: Chant du Fossoyeur†	0:54
 	 	
	Andantino	

18.		Scene 1: Marche funèbre	4:36
 	 	 	Marcia. Moderato assai	
 	 	 	'Funeral
March' - 'Enter Priests and others in procession; the Corpse of Ophelia;
Laertes and Mourners following: King,
Queen and their Trains'	

19.		Scene 2: Fanfare	0:21
 	 	 	Allegro giusto	
 	 	 	'Trumpets
sound'	

20.		Scene 2: Marche finale	0:43
 	 	 	Allegro risoluto ma non troppo	
 
TT.	 	
		62:35


 	Janis Kelly soprano*
 	Derek Hammond-Stroud baritone†
 	London Symphony
Orchestra
 	Geoffrey Simon






Overture-Fantasia, Op. 67a

Tchaikovsky wrote the Hamlet overture-fantasia, Op. 67a,
between June and 19 October 1888, overlapping the scoring of his Fifth Symphony.
The idea of a Hamlet overture had
first occurred to Tchaikovsky in 1876, as outlined in his plans in a letter to his brother Modest. At that time, he
conceived it in three parts:
1. Elsinore and Hamlet, up to the appearance of his father's ghost
2. Polonius
(scherzando) and Ophelia (adagio), and
3. Hamlet after the appearance of the ghost. His death and Fortinbras.
However, by 1888 he had altered these notions. The actor Lucien Guitry asked him to write some incidental music for a
production of Shakespeare's play, to which Tchaikovsky agreed. The planned performance was cancelled, but Tchaikovsky
decided to finish what he had started, in the form of a concert overture. There is no musical enactment of the events of
the play, or even a presentation of the key characters. The work adopts the same scheme he used in his other Shakespeare
pieces, the fantasy-overture Romeo and Juliet (1869, revised 1870 and 1880) and the symphonic fantasy The Tempest
(1873), in using certain characteristics or emotional situations within the play. The essence of the work is the
brooding atmosphere depicting Elsinore, but there is an obvious love theme, and a plaintive melody on the oboe can be
seen to represent Ophelia.
The Hamlet overture-fantasia was dedicated to Edvard Grieg, whom Tchaikovsky had met in
Leipzig in early 1888 on the same occasion that he met Johannes Brahms. He described Grieg as "an extraordinarily
charming man".


Incidental music, Op. 67b

Lucien Guitry again asked Tchaikovsky to write
incidental music for Hamlet. This time, it was for a benefit production on 21 February 1891 at the Mikhaylovsky Theatre
in Saint Petersburg, and it was to be Guitry's farewell performance. Tchaikovsky started work on the incidental music on
13 January, but found it difficult. He was exhausted from completing The Queen of Spades, which had premiered to a
triumph in December 1890. Also that month, his patroness Nadezhda von Meck had severed her connection with him. He was
also suffering an affliction of the right hand. For these reasons he had cancelled his conducting engagements in Mainz,
Budapest and Frankfurt, and retired for rest and recuperation to Frolovskoye.
For the overture, he used the earlier
stand-alone Hamlet overture-fantasia Op. 67a, but in a shortened form. In the 16 other numbers, as well as writing some
new music, he also used material from the incidental music to The Snow Maiden, Op. 12 (1873), from the alla tedesca
movement of the Third Symphony (1875), and from the Elegy for Ivan Samarin (1884). The writing was finished by 3
February. Tchaikovsky travelled from Moscow to attend the performance in Saint Petersburg. He enjoyed the performance
for the acting, but he never thought much of the music he had produced, and refused permission for it to be used in a
later production in Warsaw.





Exact Audio Copy V0.99 prebeta 3 from 28. July
2007

Archivo Log de extracciones desde 22. Octubre 2007, 17:26

TCHAIKOVSKY / Hamlet
(incidental),Festival overture op15 SIMON

Usar unidad  : HL-DT-STDVDRAM GSA-4167B   Adapter: 0  ID: 0

Modo de Lectura           : Seguro
Utilizar Corriente Exacta : Sì
Descartar Audio caché     :
Sì
Utilizar los punteros C2  : No

Correccion de Desplazamiento de Lectura         : 0
Sobreleer
tanto en Lead-In como en Lead-Out     : No
Rellenar las muestras faltantes con silencios   : Sì
Eliminar
silencios inicial y final              : No
Se han usado muestras nulas en los calculos CRC : Sì
Interfaz
usada                                  : Interfaz ASPI externo instalado

Formato de Salida utilizado         
     : Compresor sin pordida Monkey's Audio
Bitrate seleccionado                      : Normal Lossless
Compression
Calidad                                   : Alta
Anadir Etiqueta ID3                       :
Sì
Compresor de linea de comandos            : C:\Archivos de programa\Monkey's Audio\Monkey's Audio.exe


TOC del CD extraido

     Pista |  Inicio  | Duracion | Sector inicial | Sector final 
   
-------------------------------------------------------------
        1  |  0:00.00 | 13:18.13 |          0     |  
  59862    
        2  | 13:18.13 | 10:04.50 |      59863     |    105212    
        3  | 23:22.63 |  1:34.00
|     105213     |    112262    
        4  | 24:56.63 |  0:22.65 |     112263     |    113977    
        5 
| 25:19.53 |  0:41.35 |     113978     |    117087    
        6  | 26:01.13 |  3:10.30 |     117088     |   
131367    
        7  | 29:11.43 |  3:02.45 |     131368     |    145062    
        8  | 32:14.13 |  0:24.70
|     145063     |    146932    
        9  | 32:39.08 |  3:17.55 |     146933     |    161762    
       10 
| 35:56.63 |  0:10.10 |     161763     |    162522    
       11  | 36:06.73 |  0:15.05 |     162523     |   
163652    
       12  | 36:22.03 |  2:11.30 |     163653     |    173507    
       13  | 38:33.33 |  7:14.10
|     173508     |    206067    
       14  | 45:47.43 |  2:24.45 |     206068     |    216912    
       15 
| 48:12.13 |  2:12.65 |     216913     |    226877    
       16  | 50:25.03 |  5:27.00 |     226878     |   
251402    
       17  | 55:52.03 |  0:58.40 |     251403     |    255792    
       18  | 56:50.43 |  4:39.10
|     255793     |    276727    
       19  | 61:29.53 |  0:21.10 |     276728     |    278312    
       20 
| 61:50.63 |  0:46.07 |     278313     |    281769    


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     Nombre de Archivo: TCHAIKOVSKY Hamlet (incidental),Festive overture op15 [LSO - Geoffrey Simon -
CHANDOS] ape+cue,covers\Hamlet (incidental),Festival overture op15.wav

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